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- Website Age
n/a
- Alexa Rank no-data
- Country
United States
- IP Address
209.236.73.163
HTML SIZE INFORMATION
Text / Code Ratio
27.88 %
juliafriedman.net has a website text/code ratio of 27.88 %. Search engine crawlers tend to not pick up pages with inadequate content.
IMPORTANT HTML TAGS AND COUNTS
Titles
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Ucla hammer museum livestream video: ın conversation with dave hickey (5.11.16) |
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On george orwell and j.k. rowling |
3 |
Forthcoming: wayne thiebaud 100 catalogue essay |
4 |
Why “making federal buildings beautiful again” executive order is a very bad ıdea |
5 |
The new criterion article on wayne thiebaud’s clown series |
6 |
“forever landscape” mini-course at the laguna art museum |
7 |
Remizov symposium at amherst college |
8 |
Wayne thiebaud’s clown series: hour of the clown |
9 |
On “a ‘new’ vermeer in dresden” |
10 |
Scholars and scandals |
11 |
Bob ross and the art historical canon |
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Search blog by categories |
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Archives |
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Meta |
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Forever landscape |
Text Styling
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- EM19
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The New Criterion (3) |
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Words… |
3 |
Influences on a Young Painter |
4 |
Wayne Thiebaud |
5 |
n.d. |
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Black brush ink on paper |
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ARS (Artists Rights Society) |
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Forever Landscape |
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The |
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New Criterion |
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Provocations |
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Between June 2014 and April 2015, Dave Hickey posted almost 3,000 digital comments on social media, prompting nearly 700,000 words in response from art lovers, acolytes, and skeptics. Wasted Words is an unedited comprehensive transcript of these exchanges. This polyphonic digital discourse reveals the range of Hickey’s strong opinions, as he embarks on a crypto-enlightenment project for the benefit of "dunces" and "pricks." |
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Dustbunnies is an a***emblage of “swept up” fragments that came from a vast digital discourse that took place in Dave Hickey’s social media space between June 2014 and March 2015. During that time Hickey posted almost 3,000 comments, prompting nearly 700,000 words in response from art lovers, acolytes and skeptics. Wasted Words, the resulting volume, is an unedited comprehensive transcript of these exchanges. Its pendant publication, Dustbunnies, distills Hickey’s richly aphoristic comments, extracted from various discussion threads. |
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The great modernist eccentric Alexei Remizov was a “writers’ writer” whose innovative poetic prose has long since entered the Russian literary canon. Gradually expanding his working methods to make drawing an integral part of the writing process, during the 1930s and 1940s, Remizov created hundreds of albums that combined texts with collages and india ink and watercolor illustrations. (more) |
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With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sus*** bars to discotheques and tattoo parlors... (more) |
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The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne... |
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Interfaces: Image Text Language |
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The Hour of the Wolf |
LINK ANALYSIS
Total Link Count: 235
Internal Link Count
: 204
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Home |
text |
2 |
About |
text |
3 |
CV |
text |
4 |
Museum Courses |
text |
5 |
publications |
text |
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TEACHING |
text |
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Video archive |
text |
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empty |
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UCLA Hammer Museum Livestream Video: In conversation with Dave Hickey (5.11.16) |
text |
10 |
Press |
text |
11 |
video |
text |
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Dave Hickey |
text |
13 |
Dust Bunnies |
text |
14 |
Hammer Museum Conversations |
text |
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Julia Friedman |
text |
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UCLA Hammer Museum |
text |
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UCLA Hammer videos |
text |
18 |
video |
text |
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Wasted Words |
text |
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On George Orwell and J.K. Rowling |
text |
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George Orwell |
text |
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george orwell |
text |
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jkrowling |
text |
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language |
text |
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propaganda |
text |
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slogans |
text |
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Forthcoming: Wayne Thiebaud 100 Catalogue essay |
text |
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Essay |
text |
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Wayne Thiebaud |
text |
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Clowns |
text |
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Existentialism |
text |
32 |
formal analysis |
text |
33 |
Henry Miller |
text |
34 |
painting |
text |
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Richard Wollheim |
text |
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Wayne Thiebaud |
text |
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Why “Making Federal Buildings Beautiful Again” Executive Order is a Very Bad Idea |
text |
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architecture |
text |
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AIA |
text |
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architectural history |
text |
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architecture |
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cla***icism |
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Clement Greenberg |
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federal buildings |
text |
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GSA |
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Guiding Principles |
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McMansion h**** |
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modernism |
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The New Criterion article on Wayne Thiebaud’s Clown series |
text |
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Wayne Thiebaud |
text |
External Link Count
: 31
No |
Text |
Type |
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latest contribution to The New Criterion |
text |
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centennial exhibition at Sacramento’s Crocker Museum. |
text |
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Athenaeum Review |
text |
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“Cla***icism by Decree” |
text |
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General Services Administration Guiding Principles for Federal Architecture |
text |
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online |
text |
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Lunchtime Lecture Series |
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Romantic Landscape: Germany, England, United States |
text |
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Landscape and the Invention of Photography |
text |
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Impressionist Landscape: 1860s to 2019 |
text |
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Landscape, Modernism, Abstraction: The Century of Change |
text |
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“Landscape Painting Now” |
text |
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Beyond Symbolism and Surrealism: Alexei Remizov’s Synthetic Art |
text |
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Amherst Center for Russian Culture |
text |
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The New Criterion just published my article |
text |
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elsewhere |
text |
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My latest article |
text |
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“should be removed from UArts faculty and replaced by a q***** person of color.” |
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my review |
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my latest article for The New Criterion |
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more |
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Northwestern University Press |
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image |
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more |
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Link |
text |
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WordPress.org |
text |
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24x7wpsupport |
text |
Nofollow Link Count
: 0
Title Link Count
: 0
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